People recommend Met blij vertrouwen verder bouwen movie
Movie Issued - in 1953.
Certificates: Belgium:KT
Color Info: Black and White
Countries: Belgium
Genres: Documentary
Languages: Dutch
Sound Mix: Mono
In movie have been taken:
Jos Jacobs (director)
Birth Notes: Antwerp, Belgium
Death Date: 1995
Birth Date: 1925
It's recommended to look A Constant Forge movie
Movie Issued - in 2000.
Color Info: Black and White, Color
Countries: USA
Genres: Documentary
Languages: English
Runtimes: 200
In movie have been taken:
John Cassavetes (actor)
Articles:"Bookforum" (USA), February 2006, Vol. 12, Iss. 5, pg. 26, by: Kent Jones, "Human, All Too Human: A new bio is an un-Cassavetes-like book about the director", "Film Comment" (USA), March 2005, Vol. 41, Iss. 2, pg. 39-41, by: J. Hoberman, "Beat Street: Meet Johnny Staccato, John Cassavetes' Hipster TV Detective", "The New York Times" (USA), 26 September 2004, by: Manohla Dargis, "John Cassavetes, Laughing Last", "The Independent" (UK), 23 February 2001, by: Fiona Morrow, "John Cassavetes: Cinema's Mr Ruthless", "Filmink" (Australia), June 1999, Vol. 3, Iss. 4, pg. 23, by: Peter Galvin, "Love Streams: The Life, Work and Legacy of John Cassavetes 1929-1989", "TV Filmes" (Portugal), 1997, Iss. 9, pg. 72, "American Film" (USA), January 1980, Vol. V, Iss. 4, pg. 44-48+79, by: James Stevenson, "John Cassavetes: Film's Bad Boy"
Father of 'Nick Cassavetes' (qv), 'Alexandra Cassavetes' (qv) and 'Zoe R. Cassavetes' (qv). Son of 'Katherine Cassavetes' (qv)., Friend/actor 'Peter Falk (I)' (qv) said: "Cassavetes was the most fervent man I ever met, and he didn't have a copy-cat bone in his body.", A photograph of Cassavetes, taken during the production of his film _Husbands (1970)_ (qv), appears on one stamp of a sheet of 10 USA 37 commemorative postage stamps, issued 25 February 2003, celebrating American Filmmaking: Behind the Scenes. The stamp honors directing., Educated at the American Academy of Dramatic Arts in New York City., Biography in: John Wakeman, editor. "World Film Directors, Volume Two, 1945-1985". Pages 189-194. New York: The H.W. Wilson Company, 1988., Friend/actor Peter Falk said: "Every Cassavetes film is always about the same thing. Somebody said 'Man is God in ruins,' and John saw the ruins with a clarity that you and I could not tolerate.", In 'Ray Carney' (qv)'s "Cassavetes on Cassavetes" book, Cassavetes confessed to his parents that he wanted to be an actor. His father wasn't initially thrilled at the idea of his son being an actor, but told him that he had to work hard because he would be portraying human emotions truthfully., He was fully Greek in heritage., Auditioned for The Actors Studio when he was starting out as an actor, but was rejected., Despite many claiming that his films are improvised, it's actually a completed script that comes from improvised work by the actors. Another trademark of his films is that they're shot documentary-style., He and 'Gena Rowlands' (qv) made 10 movies together: _A Child Is Waiting (1963)_ (qv), _Faces (1968/I)_ (qv) , _Gloria (1980)_ (qv), _Love Streams (1984)_ (qv), _Minnie and Moskowitz (1971)_ (qv), _Opening Night (1977)_ (qv), _A Woman Under the Influence (1974)_ (qv), _Gli intoccabili (1969)_ (qv), _Two-Minute Warning (1976)_ (qv) and _Tempest (1982)_ (qv), Directed 3 different actors in Oscar-nominated performances: 'Seymour Cassel' (qv), 'Lynn Carlin' (qv) and 'Gena Rowlands' (qv)., He and his good friend 'Ben Gazzara' (qv) made 5 movies together: _Husbands (1970)_ (qv), _Capone (1975)_ (qv), _If It's Tuesday, This Must Be Belgium (1969)_ (qv), _Opening Night (1977)_ (qv) and _The Killing of a Chinese Bookie (1976)_ (qv), He and his good friend 'Peter Falk (I)' (qv) made 6 movies together: _Husbands (1970)_ (qv), _Gli intoccabili (1969)_ (qv), _Mikey and Nicky (1976)_ (qv), _Opening Night (1977)_ (qv), _Big Trouble (1986)_ (qv), _A Woman Under the Influence (1974)_ (qv) and one movie made for TV: _Columbo: tude in Black (1972) (TV)_ (qv), Born to Nicholas John Cassavetes and 'Katherine Cassavetes' (qv)., As of 2007, he is one of only 7 actors to be nominated for Best Directing, Writing, and Acting Oscars over the course of his lifetime. The other 6 are 'Orson Welles' (qv), 'Woody Allen' (qv), 'Warren Beatty' (qv), 'George Clooney' (qv), 'John Huston (I)' (qv) and Kenneth Brannagh., Son-in-law of 'Lady Rowlands' (qv)., Brother-in-law of 'David Rowlands (II)' (qv)., As of 2007, he is one of six directors who has directed his wife to a Best Actress Oscar nomination and is the only one to have directed her to two nominations ('Gena Rowlands' (qv) in _A Woman Under the Influence (1974)_ (qv) & _Gloria (1980)_ (qv)). The other five are 'Joel Coen' (qv) directing 'Frances McDormand' (qv) in _Fargo (1996)_ (qv), 'Paul Newman (I)' (qv) directing 'Joanne Woodward (I)' (qv) in _Rachel, Rachel (1968)_ (qv), 'Blake Edwards' (qv) directing 'Julie Andrews (I)' (qv) in _Victor Victoria (1982)_ (qv), 'Paul Czinner' (qv) directing 'Elisabeth Bergner' (qv) in _Escape Me Never (1935)_ (qv) and 'Richard Brooks (I)' (qv) directing 'Jean Simmons (I)' (qv) in _The Happy Ending (1969)_ (qv). 'Jules Dassin' (qv) also directed his future wife 'Melina Mercouri' (qv) in an Oscar-nominated performance (_Pote tin Kyriaki (1960)_ (qv)), but they weren't married yet at the time of the nomination., One of the screening rooms at the Thessaloniki Film Festival is named after him.
Pictorials:"Cin-Revue" (Belgium), 29 March 1979, Vol. 59, Iss. 13, pg. 3, "Ce qu'ils auraient pu dire..."
Biographical Movies:_A Constant Forge (2000)_ (qv), _Anything for John (1993)_ (qv), _Sam Shaw on John Cassavetes (1990)_ (qv), _Cassavetes: Claroscuro americano (2001) (TV)_ (qv), _John Cassavetes: A Discussion (2000) (V)_ (qv), _I'm Almost Not Crazy: John Cassavetes - the Man and His Work (1984)_ (qv), _An Actor's Look at John Cassavetes (2000) (V)_ (qv), _Songs for Cassavetes (2001)_ (qv)
Death Notes:Los Angeles, California, USA (cirrhosis of the liver)
Actor and film director who was regarded as a pioneer of American cinema verit.
Height:5' 7"
Quotes:I'm sort of my own Mafia, you know, breaking my own knees., There's a difference between ad-libbing and improvising. And there's a difference between not knowing what to do and just saying something. Or making choices as an actor. As a writer also, as a person who's making a film, as a cameraman, everything is a choice. And it seems to me I don't really have to direct anyone or write down that somebody's getting drunk; all I have to do is say that there's a bottle there and put a bottle there and then they're going to get drunk. I don't want to tell them how they're going to get drunk. I don't want to tell them how they're going to get drunk, or what they would do, and I don't want to restrict them in being able to carry out a beat, to fulfill an action. You can't say somebody's drunk, or in love., "'Ricardo Montalban' (qv) is to improvisational acting what Mount Rushmore is to animation"., As an artist, I feel that we must try many things - but above all we must dare to fail., People have forgotten how to relate or respond; what I'm trying to do with my movies is build something audiences can respond to., When I started making films, I wanted to make Frank Capra pictures. But I've never been able to make anything but these crazy, tough pictures. You are what you are., Say what you are. Not what you would like to be. Not what you have to be. Just say what you are. And what you are is good enough.
Birth Notes:New York City, New York, USA
Books:Ray Carney. _The Films of John Cassavetes: Pragmatism, Modernism, and the Movies._ Cambridge University Press, 1994. ISBN 0521388155, Ray Carney. _John Cassavetes: The Adventure of Insecurity-A Pocket Guide to the Films (Studies in Contemporary Film)._ Co C Carney Cassavetes Consulting, 2000. ISBN 0967417007, John Cassavtes, Ray Carney. _Cassavetes on Cassavetes._ Faber & Faber, 2001. ISBN 0571201571, Marshall Fine. _Accidental Genius: How John Cassavetes Invented the American Independent Film._ New York: Miramax-Weinstein, 2006. ISBN 1401352499, Ray Carney. _American Dreaming: The Films of John Cassavetes and the American Experience._ Berkeley, CA: University of California Press, 1985.
Magazine Covers:"Bookforum" (USA), February 2006, Vol. 12, Iss. 5, "Cinemad" (USA), 2001, Iss. 6
Birth Name:Cassavetes, John Nicholas
Spouse:'Gena Rowlands' (qv) (9 April 1954 - 3 February 1989) (his death); 3 children
Death Date:3 February 1989
Birth Date:9 December 1929
Seymour Cassel (actor)
Spouse:'Elizabeth Deering' (qv) (14 March 1964 - 1983) (separated); 2 children
Seymour Cassel, the veteran persona recitalist who be nominated contained by crutch of a Best Supporting Actor Oscar for his role using device of the hippie swinger Chet in 'John Cassavetes (I)' (qv)' _Faces (1968/I)_ (qv), studied acting at the American Theatre Wing and at the Actors Studio. He made his grey peak debut in Cassavetes' former hotchpotch, _Shadows (1959)_ (qv), against which he also serve as associate company. Cassel's precipitate profession was tied to Cassavetes, who himself hang on a booming career as an actor on television and in focal Hollywood production in crate to becoming, arguably, the first amazingly good sovereign movie meter after the dive spike of the studio set of contacts in the postponed 1950s/early 1960s. As for Cassel, after his uncredited role in "Faces," he co-starred beside Cassavetes in _The Webster Boy (1962)_ (qv) and _Too Late Blues (1961)_ (qv) back twisting wide open awake in support of his aficionado in 'Don Siegel' (qv)'s _The Killers (1964)_ (qv), a movie shot for TV that had to be released theatrically in the red to its heightened terror campaign (it was also 'Ronald Reagan (I)' (qv)'s concluding movie). Cassel for the most part made his aware on TV in the 1960s, characteristically pigeonhole as beatniks and hippies. He had a opinionated role in the Cassavetes-directed division "A Pair of Boots" (1962) for _"The Lloyd Bridges Show" (1962)_ (qv) correspondingly as appear on such having mass appeal programs as _"12 O'Clock High" (1964)_ (qv), _"Combat!" (1962)_ (qv) and _"The F.B.I." (1965)_ (qv) before scoring with his aging hippie in "Faces" at the finishing of that tumultuous decade. Along with "Shadows," "Faces" deposit his favorite Cassavettes film. In addition to acting, Cassel was also a crew extremity on the film, as the logical backup cipher all of seven. He help shoot the film as a second cameraman, as resourcefully as adjust the lighting. As the film was finance by Cassavettes himself, nearby be no coalition regulations to contract with, nor a studio programme to hold. Several of Cassavettes' films were shot in continuity, for that reason the actor could come along a character in sequence--similar to put up with acting--rather than the common suit of film making, which be shot out of procession. Cassel have stated that this technique enhanced the glory of his works by eliminate the "fourth wall" linking the addressees and the actors. He believe that acting tell the film's fable, not the similes and that what is historic is how the audience relate to the characters on screen. As their career matured, Cassel also co-starred with Cassavetes in two TV cinema, _Nightside (1973) (TV)_ (qv) and _Nightside (1973) (TV)_ (qv) and appear in supporting role in three more Cassavetes-directed films: _The Killing of a Chinese Bookie (1976)_ (qv), _Opening Night (1977)_ (qv) and _Love Streams (1984)_ (qv). In addition to appearing in studio films, Cassel has remain prominent in the American independent film free of charge since the freedom of his friend and collaborator. He contribute a cameo excuse in the directorial debut of 'Steve Buscemi' (qv) (with whom he appeared as a co-star in credit wit _In the Soup (1992)_ (qv)), _Trees Lounge (1996)_ (qv), and has appeared in three films by 'Wes Anderson' (qv): _Rushmore (1998)_ (qv), _The Royal Tenenbaums (2001)_ (qv) and _The Life Aquatic with Steve Zissou (2004)_ (qv). Cassel is prized by independent director for two things: his buoyant real meaning, and his (perhaps) facetious testimony that he'd be in any independent film for the asking price of a aircraft card if he like the lettering.
Height:172 cm
Quotes:_Faces (1968/I)_ (qv) and _Shadows (1959)_ (qv) be my favorite 'John Cassavetes (I)' (qv) films. And they be John's favorites, as ably. "Shadows" because it be our early. And "Faces" because it was a defining junction prickle delimited by the mode we were going to construct films. I know it was, because I work completed the crew. We enjoy a crew of seven. I cause it all. I shot, I fraught magazine, moved lights, angle screen in. We take turn opponent to shoot near the second camera. That way of making a showing was consequently by a long chalk gaiety. No union to business deal with, no instance agenda. We shot it in continuity, which John did with both film subsequently. He did it in defend of himself and he did it for the actor., [on shooting in continuity] For an actor it's ideal, you build the character as he goes along, the way it was written. Like with a play, the curtain goes up and you do the first act, the second act, you just play the shit out of it. Most films you do piecework" "Why are we breaking this scene up, for Christ's sake, let's just shoot!" "Well, because once we pull this wall . . . " Jesus, forget the wall. It doesn't matter how beautifully a film is photographed. The acting tells your story. It's what people relate to. If you don't believe the characters, it doesn't work., _Shadows (1959)_ (qv) wasn't so difficult to get made. It was just, when ['John Cassavetes (I)' (qv)] had the time. He was a working actor, a television star. _Edge of the City (1957)_ (qv) had just come out, with him and ['Sidney Poitier' (qv)] and 'Jack Warden' (qv), so John would work to make a living and also to put money into what he wanted to do. We tried doing a couple of films, one with Paramount, and one with 'Stanley Kramer' (qv), and then he just decided, "I'm going to borrow the money on my house". He took a job at Universal and spent the money on the film. People thought John was crazy, spending his own money. And yet they admired him for it. Many people came out and said, "Boy I'd love to make a film that way." Well, borrow some money, get some people together -- you can get people to work for nothing, just treat them right, treat them as human beings, not stars, give them all an equal share, make them feel a part of what they're doing. There's no big secret to it. But people just didn't have the guts. I met a lot of directors, friends of John's, people I admired, say 'Don Siegel' (qv). But Don had grown up in the studio system. He wasn't going to go over and move a chair, grab a camera, just get it into place and shoot it, that wasn't his style.
Lenny Citrano (actor)
Peter Falk (actor)
John A. Gallagher (actor)
Ben Gazzara (actor)
Sean Penn (actor)
Jon Voight (actor)
Lynn Carlin (actress)
Lelia Goldoni (actress)
Annette Insdorf (actress)
Carol Kane (actress)
Gena Rowlands (actress)
Charles Kiselyak (director)
Not bad - As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty movie (As I Moved Ahead Occasionally I Saw Brief Glimpses of Beauty).
Movie Premier in 2000.
"The ultimate Dogma movie before the birth of Dogma," is how its maker, 'Jonas Mekas' (qv) described it.
Color Info: Color
Countries: USA
Genres: Documentary, Biography
Languages: English
Runtimes: Germany:288, UK:320
Sound Mix: Mono
Tech Info: PFM:16 mm
Release Dates: UK:4 November 2000, Germany:10 February 2001, Canada:29 September 2001, Norway:22 October 2001, USA:12 December 2001, Netherlands:24 January 2002
In movie have been taken:
Hollis Frampton (actor)
Death Notes:New York, USA
Birth Notes:Ohio, USA
Death Date:30 March 1984
Birth Date:11 March 1936
Jonas Mekas (actor)
Quotes:In Lithuania, I am known as a poet, and they don't care about my cinema. In Europe they don't know my poetry; in Europe, I am a filmmaker. But here, in the United States, I am only a maverick!
Birth Notes:Semeniskiai, Lithuania
Books:David E. James, ed.. _To Free the Cinema: Jonas Mekas and the New York Underground._ Princeton, NJ: Princeton University Press, 1992.
Other Works:Established the Anthology Film Archives in New York City where he still works. The Anthology is regarded to be the centre of avant-film in New York, and possibly the world.
Brother of 'Adolfas Mekas' (qv)., Father of 'Sebastian Mekas' (qv)., Used to film with an old Bolex camera., Was in German labor camps during WWII. After the war he spent time in Germany as a displaced person, settling in New York City in 1949., In 1958, he became the first movie critic for The Village Voice., Left Lithuania at the age of 22.
Birth Date:24 December 1922
P. Adams Sitney (actor)
Professor of Visual Arts at Princeton University., Film historian.
Other Works:(1975) (book) "The Essential Cinema" (editor), published by New York University Press, (1978) (book) "Visionary Film, the American Avant-Garde 1943-1978", published by Oxford University Press, (1990) (book) "Modernist Montage: The Obscurity of Vision in Cinema and Literature (Social Foundations of Aesthetic Forms)", published by Columbia University Press, (1995) (book) "Vital Crises in Italian Cinema: Iconography, Stylistics, Politics", published by University of Texas Press, (2000) (book) "Film Culture Reader", published by Cooper Square Press
Jonas Mekas (producer)
Quotes:In Lithuania, I am known as a poet, and they don't care about my cinema. In Europe they don't know my poetry; in Europe, I am a filmmaker. But here, in the United States, I am only a maverick!
Birth Notes:Semeniskiai, Lithuania
Books:David E. James, ed.. _To Free the Cinema: Jonas Mekas and the New York Underground._ Princeton, NJ: Princeton University Press, 1992.
Other Works:Established the Anthology Film Archives in New York City where he still works. The Anthology is regarded to be the centre of avant-film in New York, and possibly the world.
Brother of 'Adolfas Mekas' (qv)., Father of 'Sebastian Mekas' (qv)., Used to film with an old Bolex camera., Was in German labor camps during WWII. After the war he spent time in Germany as a displaced person, settling in New York City in 1949., In 1958, he became the first movie critic for The Village Voice., Left Lithuania at the age of 22.
Birth Date:24 December 1922
Quotes:In Lithuania, I am known as a poet, and they don't care about my cinema. In Europe they don't know my poetry; in Europe, I am a filmmaker. But here, in the United States, I am only a maverick!
Birth Notes:Semeniskiai, Lithuania
Books:David E. James, ed.. _To Free the Cinema: Jonas Mekas and the New York Underground._ Princeton, NJ: Princeton University Press, 1992.
Other Works:Established the Anthology Film Archives in New York City where he still works. The Anthology is regarded to be the centre of avant-film in New York, and possibly the world.
Brother of 'Adolfas Mekas' (qv)., Father of 'Sebastian Mekas' (qv)., Used to film with an old Bolex camera., Was in German labor camps during WWII. After the war he spent time in Germany as a displaced person, settling in New York City in 1949., In 1958, he became the first movie critic for The Village Voice., Left Lithuania at the age of 22.
Birth Date:24 December 1922
Quotes:In Lithuania, I am known as a poet, and they don't care about my cinema. In Europe they don't know my poetry; in Europe, I am a filmmaker. But here, in the United States, I am only a maverick!
Birth Notes:Semeniskiai, Lithuania
Books:David E. James, ed.. _To Free the Cinema: Jonas Mekas and the New York Underground._ Princeton, NJ: Princeton University Press, 1992.
Other Works:Established the Anthology Film Archives in New York City where he still works. The Anthology is regarded to be the centre of avant-film in New York, and possibly the world.
Brother of 'Adolfas Mekas' (qv)., Father of 'Sebastian Mekas' (qv)., Used to film with an old Bolex camera., Was in German labor camps during WWII. After the war he spent time in Germany as a displaced person, settling in New York City in 1949., In 1958, he became the first movie critic for The Village Voice., Left Lithuania at the age of 22.
Birth Date:24 December 1922
Auguste Varkalis (composer)
Jonas Mekas (director)
Quotes:In Lithuania, I am known as a poet, and they don't care about my cinema. In Europe they don't know my poetry; in Europe, I am a filmmaker. But here, in the United States, I am only a maverick!
Birth Notes:Semeniskiai, Lithuania
Books:David E. James, ed.. _To Free the Cinema: Jonas Mekas and the New York Underground._ Princeton, NJ: Princeton University Press, 1992.
Other Works:Established the Anthology Film Archives in New York City where he still works. The Anthology is regarded to be the centre of avant-film in New York, and possibly the world.
Brother of 'Adolfas Mekas' (qv)., Father of 'Sebastian Mekas' (qv)., Used to film with an old Bolex camera., Was in German labor camps during WWII. After the war he spent time in Germany as a displaced person, settling in New York City in 1949., In 1958, he became the first movie critic for The Village Voice., Left Lithuania at the age of 22.
Birth Date:24 December 1922
Quotes:In Lithuania, I am known as a poet, and they don't care about my cinema. In Europe they don't know my poetry; in Europe, I am a filmmaker. But here, in the United States, I am only a maverick!
Birth Notes:Semeniskiai, Lithuania
Books:David E. James, ed.. _To Free the Cinema: Jonas Mekas and the New York Underground._ Princeton, NJ: Princeton University Press, 1992.
Other Works:Established the Anthology Film Archives in New York City where he still works. The Anthology is regarded to be the centre of avant-film in New York, and possibly the world.
Brother of 'Adolfas Mekas' (qv)., Father of 'Sebastian Mekas' (qv)., Used to film with an old Bolex camera., Was in German labor camps during WWII. After the war he spent time in Germany as a displaced person, settling in New York City in 1949., In 1958, he became the first movie critic for The Village Voice., Left Lithuania at the age of 22.
Birth Date:24 December 1922
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